Do bootlegs matter? What Discogs’ new crackdown means for the site’s future

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The Discogs clamp down dissected.

Since its inception 16 ago years, Discogs (short for Discographies) has transformed from a kind of Wikipedia for vinyl into the world’s biggest facilitator of buying, selling and cataloguing physical music releases online.

Though the site has always taken down records which violated its selling terms, over the past month Discogs has adopted an increasingly hard stance on bootlegs: hip-hop records, edits, live concert recordings, even unofficial releases from artists themselves (e.g. Moodymann) have fallen to its chopping block.

One of the most unique facets of Discogs is the listings information featured alongside every release. Generated by its users, it catalogues the lowest, highest, and median price a record has been sold for on site, as well as listing how many users have the record in their wantlist or collection.

The information is a vital resource for buyers trying to prevent themselves from getting screwed over, as well as a way for anyone interested in a record to discover more about it. Once a listing is removed from the site, all of the pricing, wantlist and collection history is lost, though Discogs apparently keep archival records of the information offline.

As vinyl sales continue to grow, with over 4.5 million albums  already sold on Discogs in 2017, and record pressing plants opening across the globe everywhere from a tiny Canadian island to South Korea to fill demand, what does this new enforcement mean for the future of the site and vinyl culture as a whole, and should Discogs be responsible for policing its site at all? We spoke to Discogs themselves, as well as the largest seller of records on site, a producer whose music was sold illegally, and a collector of hundreds of unofficial releases to find out.


What the largest vinyl vendor on Discogs thinks – Hon at Vinyl Pimp:

“I first noticed an increase in the amount of item violation messages we were receiving about one month ago. Initially I thought they were items listed on an incorrect release page. (E.g. A promo on an original version page.) I then ventured onto the marketplace forum, and discovered this has been going on since May 2017. Discogs staff have stayed away from the thread, and made no response.

I immediately decided to make a post on Facebook and got a few thousands views. Four hours later the press release was up on RA. Obviously, Discogs intended to get through these takedowns quietly, as there has been no warning to any of the users.

About 100 of our listings have been removed so far. They all have “Unofficial Release” as part of the format description.

Listing violation take downs have been around for a long time. It used to be because a promo was listed on the wrong release page, then racially sensitive materials were also getting taken down. Now we are facing the biggest and scariest action ever.

Vinyl Pimp sells on behalf of clients, as well as selling our own stuff we buy in. This means bootlegs and re-edits are part of our range, as that is what DJs and collectors buy for one reason or another.

Artists and labels don’t get royalties from our sales anyway, so in a way it doesn’t matter whether we sell bootlegs. We simply provide whatever is in demand – our action does not stimulate growth in any genre, style or format. We’ll continue to sell records on Discogs under their guidelines, as it is the best place for second hand items online.

Not only they have removed the releases from the marketplace, Discogs has taken steps to prevent users from adding these bootlegs to their collections and wantlists, which also prevents swaps between owners. These removed releases are going to be harder to come by, which will only drive the prices up.

They did not take this decision lightly – my guy from Discogs explained that they see a trend of other third party marketplaces (such as Amazon) getting hit by authorities for being responsible for the sale of copyright-infringed materials. They are doing this to prevent a real disaster, which in my opinion is a very smart move.”


What the collector with over 1000 records, including 135 bootlegs, unofficial releases and live recordings, thinks – Thomas J. Bollinger:

“I started with the Internet in 1994. So my opinion might be the same as many other veterans of the Internet: it should be a place of global free speech. I know that sounds naïve today, but then it was. So no, Discogs shouldn’t police what’s on the site.

Until I discovered Discogs, I wasn’t aware how many different versions of one record actually exist. And it was cool to find other media as well, like reel-to-reel, 8-track or 4-track cartridges for example.

I’ll continue to use Discogs, but I will search for an alternative to catalogue my collection. I will use it as a marketplace just like eBay and other sites that offer records. The USP from Discogs is basically gone. It’s just a lot of hassle for those that have entered their whole collection and inventory into the Discogs database.

Counterfeits are made to fool people and make a lot of money just by copying. What is wrong for a Rolex or any other brand article, is also wrong for records.

But it seems to me the question is not essential for Discogs. The essential question is: Are they liable for user submitted content? If so, why isn’t eBay? Why aren’t there police raids in thrift stores, second hand record stores and other off- and online marketplaces?

Bootlegs are not illegal in all countries, so Discogs could just inhibit the sale of bootlegs from certain countries if they are afraid of law suits. They could move their company and database in order to stay independent. There are plenty of free countries that value free speech (and free enterprise) much higher than the US.”


What a producer and collector whose album was illegally bootlegged thinks – Bullion:

“Discogs’ crackdown seems well intentioned, but I think it’s a bit of a shame. I’ve drawn a ton of influence (and samples, shhh) from music bought on Discogs, official or not. Mind you, there’s no shortage of great music available elsewhere, and perhaps it’ll save us all some time to let the tinnitus ring out.

There’s so much emphasis on ownership of music, and to simplify it, good music deserves to be heard! It’s obviously much more complex than that, and people need some protection over their work and payment for releases in their name etc. Selfishly, I just want to hear as much mind-blowing music while I’m alive.

The Pet Sounds: In the Key of Dee vinyl bootleg was so lazily made, it didn’t look, let alone sound good. It was overpriced and yet people still bought it, which says something about people’s obsession with vinyl. Discogs were pretty quick with getting it blocked once I asked. There are so many bootlegs and edits put together with love and they should be judged individually. A lot of admin though, I imagine.”


What the official line is – Chad Dahlstrom, COO at Discogs:

“Removing unofficial releases from the marketplace has been happening for years. We’ve continued to add resources and refine this process to help protect our community, artists, labels and rights holders, this means we’re able to be more proactive in enforcing items that violate our seller policy while continuing to honour DMCA takedown notices quickly.

As an international marketplace, we adhere to laws in countries we serve the most which are primarily the EU and US. Consequently, these laws are amongst the most stringent, so that works out well for protecting copyrights in other countries. For example, some nations allow the manufacturing of counterfeit music which could be legal to sell in those locations but would be considered a violation of copyright laws in the US or EU where the release is often ultimately purchased. For this reason, we choose not to be a platform for those types of transactions.

There are currently three classifications that are not allowed to be sold in the Discogs Marketplace: Bootleg, Counterfeit, and Pirate. In layman’s terms, those are: unauthorized recordings, fakes, and recordings that are distributed without authority. Edits, remixes, and mash-ups are a little more tricky because only the copyright holder and the creator knows whether or not the underlying tracks were cleared properly. We respond very quickly to notices about potential copyright issues, and we are working with the community members to identify suspect releases.

Our code is currently designed to remove the release in its entirety from the Marketplace without touching the history of its existence in the database. Copyright issues are not the only reason we block items from our marketplace. We also actively block Nazi/White Supremacy material and what we find is hate oriented propaganda material. That is done with the support of our community who help identify this material. Because we feel we cannot profit or support the sale of this we have always removed any sales history.

We don’t want to be the price guide, want list count or collection count for that material as we cannot support it as a company made up of caring humans. So, for now, this is just how the code works. We do still archive that data in the database as well, but we will not profit from it. For the record, our employees and company also contribute to causes such as the ACLU as we know some slip through the cracks and again that’s not who we are, and we want no profit from it.

The history of the release will maintain intact within the database and will remain. Our community has not identified sales data as a key historical marker, and honestly, the Discogs history would be a micro event on a bootleg pressed in 1964. With that said the importance of sales history is certainly debatable, and currently our system is designed to remove the release from the Marketplace which means the sales, want list and collection list history goes with it as well.

We have been taking this content off the marketplace for many years. We are only trying to get ahead of the issue and honestly believe supporting musicians, artist and label rights is an important part of our ecosystem, not to mention the right thing to do. We will continue to operate with the same music data and community first approach we always have. All we are doing here is more efficiently enforcing policies that are already in existence.”


So what?

Discogs has every right to limit what’s sold in its marketplace, but should also acknowledge that cracking down or banning bootlegs could change the very nature of the site itself.

More than any other music website, its influence and power today is thanks to the people who have contributed to it, to building listing information that makes the site so comprehensive and diverse.

Discogs’ transformation, from a database into a valuable resource, which prevents buyers from paying more than they should for a release, is something that the site itself has embraced in the past. It also benefits from more people selling in its marketplace, receiving a percentage of every sale.

To block the sales of Nazi or hate-filled music is absolutely right. To donate to the ACLU in efforts to counter racist music that might have slipped through the cracks of its marketplace is commendable.

To vaguely equate racist, banned music with bootleg releases that are in violation of copyright is another thing entirely. Where racist rhetoric inspires hate, violence and division, “unofficial releases” are, at their best, an example of creative or collaborative inspiration. This is especially the case for hip-hop, where a sample, mixtape or live recording can transform a known track or album into something fresh and new.

If the reason for this newly enforced crackdown is because Discogs isn’t able to properly monitor what happens on site in a nuanced way, it should just say so. By removing an innocuous listing history from a 1967 concert recording, or a Dub Syndicate album, or a hip-hop bootleg, Discogs doesn’t just do a disservice to the people who use it, it risks losing its credibility as the world’s most comprehensive resource for music discography, pricing, and releases.

Comments (21)

  1. John Hodgson 3 months ago

    I have been selling on Discogs for several years and began trading in 2006, and Discogs has now become a very important part of my selling options, I am disappointed with them for cracking down on bootlegs. I don’t have a problem with banning pirates and counterfeit items, and certainly not with nazi stuff, obviously – bbootlegs contain music that the artist deems unreleasable for many reasons, but fans are desperate to get their hands on, and in the age of unauthorised downloads and the freedom to share that the internet allows, the selling of a few thousand vinyl bootlegs is hardly crime of the century. Hammer to crack a nut, as the saying goes.
    Discogs have, overnight, suddenly become less cool, and a little more corporate.

  2. MadAmster 3 months ago

    Is there a difference between pirated, counterfeit or bootlegged vinyl? False is false, surely. Bootlegging/pirating/counterfeiting a 1960s song that now fetches 100’s or 1000’s is wrong. It is right that Discogs won’t sell them. Neither should eBay. If everybody stops buying them, bootlegging will die.

    • Thomas Bollinger 3 months ago

      I can’t agree. If you can’t buy bootlegs, you can give them away, for example in a fan club. Costs will be covered by membership fees. It’s been done. As long as there is unpublished material, people want it.

    • barrry baptist 3 months ago

      i don.t want it to die.bootlegs have always been a collectors love. live bootlegs with great covers .i have many.speak for your blinkered self.

      • MadAmster 3 months ago

        Thanks for the insult. I hadn’t thought of unpublished work although bootlegging still denies the composer and lyricist the copyright fees they should have. What I am completely against is the counterfeiting of already published vinyl. It’s a con, pure and simple.

        • barrry baptist 3 months ago

          what insult. just facts.

          • MadAmster 3 months ago

            The insinuation that I am blinkered?

    • Drew Dailey 3 months ago

      I completely disagree. There is sooo much music being made that artists never press to vinyl for a number of reasons, but in my experience it’s never because they don’t want people to hear it. I think bootlegging fills a demand that labels/artists can’t or won’t. For example, i bought a bootleg 2lp of acid rap by chance the rapper because he wont make physical copies. I would gladly have paid him for a copy, but he gave it away digitally for free. With hip hop, this kinda thing happens all the time, and there is always a demand for vinyl.

      • MadAmster 3 months ago

        I can see the point you are making.I hadn’t taken that into consideration. What I am very much against is people making counterfeit copies of stuff that has been released on vinyl simply to leech off people and deny the composer writer of copyright fees.

  3. The Sentinel 3 months ago

    Isn’t it possible to list bootleg items for information purposes but not for sale?

  4. Ian Quann 3 months ago

    I disagree with this policy on all levels. I can understand in a sense why an artist may object to an illegal copy of an album and wish it to become banned, but copies of live performances for example are often important cultural documents that do nothing to harm the artist. Some LPs that are prohibited to trade are copies of rare albums where the artists and labels are long gone and the work deleted. Also I feel uneasy about banning sales of some groups on the basis of morality. I detest any form of prejudice or intolerance including racial hatred, but feel that banning freedom of expression (whether considered ‘art’ or not) might be considered a type of action associated with nazis. Ideas that are harmful to society only benefit from censorship which prevents society from discussing the stupidity of such ideas. Lastly I agree with the author that this type of policy will effect discogs’ credibility as an impassioned catalogue of sound art and free trading marketplace.

  5. barrry baptist 3 months ago

    total garbage. i my self have purchased bootlegs of live concerts that are fantastic,the covers way better than official releases. i think they are treating buyers as dummies,as regards copies of actual releases,discogs does nothing to protect buyers,never has. this is a blanket ban to protect them,not us buyers. i closed my discogs account long ago,found better places.as an information gatherer its good,but that is it. discogs is full of shit.

    • Fuck pam 2 months ago

      Agreed. Many times songs that are on bootlegs are NOT on official releases. Not to mention, many times the bootlegs have more effort put behind them than official releases.

      *ignore my name*

      • Fuck pam 2 months ago

        Also, many times these bootlegs are very old.. so the part about wanting to curb the “artist losing money” is moot. I have some bootlegs from the 80’s… a while back lol

  6. Gary L Finkenbiner 3 months ago

    This is typical of the immature and self protective behavior of a petulant company run by adolescents. Bad attitudes, poor service and a BULLY environment. I have found better deals and quality on Ebay. Amazon is the same, full of Chinese, Russian and Hong Kong bootlegs. Don’t waste your time with Discdogs. Better spent with facts.

  7. Jonny Chinchen 3 months ago

    It’s not Discogs place to judge whether material is “nazi” or “white supremecist”.

    We want it to be a marketplace, not a mummy and daddy.

    Sure, if people are causing trouble, you can ban them, but so what if nazis are distributing their vile recordings to each other, that is their business, we may not like it, but that’s freedom of speech, which the far left is now trying to hem in and control with concepts like “hate speech”etc.

    As for bootlegs, why the sudden purge now? They are often a legitimate part of the music business, why doesn’t Discogs draw a line between copyright theft and useful, helpful bootlegging – that’s where some of it’s discretionary input would be valued, not in telling us what’s morally right or wrong.

  8. Pedro Dias 3 months ago

    there will be a new site soon in a free speech country that deals with all this blocked stuff also lots of hip-hop and Punk stuff is very obscene and racist etc.. yet none of it seems banned …
    will this be next..

  9. Ray Hainsworth 3 months ago

    I have been a collector and vinyl seller for many years, too many perhaps. Seems to me many commentators have forgotten Discogs is a business, not a charity, or government department. A crackdown on illegal merchandise is clearly a business decision. As with any other business’s decisions, you can decide to take your business elsewhere, or try to influence the company to change it’s policies. That could include quitting Discogs. However, I seriously doubt many of the complainers will do that as Discogs is a valuable resource to collectors and dealers.

  10. ynpguy 3 months ago

    It is disappointing that is true. I have a very difficult time believing that Discogs would be held accountable for any suck sales, since Discogs does not have any hand in the payment processing. Amazon does though. Even eBay and Paypal have some kind of connection – it changes from time to time. The listings are still present, but they have been blocked from sale, and history/in collection is gone now.

  11. Charles Snider 3 months ago

    Foremost, as a reader below pointed out, Discogs does list bootleg items for informational purposes, but does not include them in the marketplace. Maybe this has been forgotten, but without the artist, there would be no bootleg in the first place. Support those that create music. Right on Discogs for your stance.

  12. Dab710 2 months ago

    If Discogs HAS been cracking down sooo hard…how come I have screenshots of their marketplace manager selling these EXACT titles in the DISCOG forums?!?
    They made a million bucks already off supposed ‘illegal’ activities…time to go legit now….like Wu Tang

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