Discovering the experimental sound of ’70s Venezuela with Insólito UniVerso

By in Features



Spanning electronics, psychedelic folk and field recordings.

Paris-based, Venezuelan quartet Insólito UniVerso are used to finding inspiration in unconventional places. On ‘Transmutada’, the opening track of their joyful new album La Candela del Río, they celebrate the legacy of cult Caracas singer, caricaturist and new age guru Conny Mendez.

Across the album, their sound takes in a wealth of musical influences – a melting pot of psychedelia, spiritual folk and traditional musics from their native country. Co-produced by Malcolm Catto, the effect is mesmerising and pluralistic – something the band wanted to capture in this mix, which explores the roots of Venezuelan music, and the thread that ties them to groups who first began experimenting with contemporary instruments and techniques in the ’60s and ’70s. As they describe, “the meeting point between the two is exactly the ethos of our Insólito UniVerso project.”

Citing Soul Jazz’s Venezuela 70 compilation as an inspiration, the mix is also a reflection of the quartet’s own musical backgrounds. “We all come from different musical upbringings, but share a common ground when it comes to reconnecting with our Venezuelan roots and exploring new paths for our country’s music.”

Listen to the mix above, and read about a selection of the tracks included below.

Simón Diaz
Tonadas Vol. 2
(Palacia, 1976)


Simón is one of Venezuela’s most international artists. His music has been covered countless times. On his 2nd volume of Tonadas, he continued to explore the sound of the working songs from the plains. This music has a very bluesy feel and ‘Cantos de Ordeño’ is one of the most beautiful folk songs from our country.

Chelique Sarabia
Revolución Electrónica en Música Venezolana
(Promus, 1971)


Chelique Sarabia is another very well-known composer and musician locally, but also internationally. On this record, he plays a lot of standards, but with a sonic palette reminiscent of the BBC Radiophonic Workshop. We can picture journalists and purists completely hating this record when it first came out, but we absolutely love it. It creates the perfect meeting point between our traditions and sonic experimentation.

Un Dos Tres y Fuera
Sin Complicación
(Discomoda, 1977)


This is one of our all-time favourite bands from Venezuela. On ‘San Juan, Tambor y Fuera’, they use the culo e’puya drum, which is played in the religious celebration of San Juan in the coastal region of Miranda. To this, they add drums, synths and electric bass, giving it a very funky twist. This one also features on the first Venezuela 70 compilation on Soul Jazz, which we couldn’t recommend more.

Ofrenda & Vytas Brenner
(Discomoda, 1975)


Vytas Brenner was one of the pioneers of fusing traditional music and electronic instruments in Venezuela. This is our favourite album by him and his band Ofrenda. We chose ‘6 por Electron’, which is a mind-blowing take on the 6 por derecho style of Joropo, with the addition of electric guitar, analogue synths and electronic textures. The track flows into an interlude called ‘Jayeche’, which features killer synths and effects.

Oswaldo Lares
Danzas y Cantos Afrovenezolanos
(Oswaldo Lares, 1978)


Oswaldo Lares is a living legend of Venezuelan folklore, documenting musical traditions throughout the country with field recordings, photography, and his own musical productions. This compilation focuses on Afro-Venezuelan music and instruments, and comes with a beautiful booklet full of information and images of the different traditions that took root in Venezuela. Check out this website for a glimpse.


1. El Indio Figueredo – Tonadas [Oswaldo Lares]
2. Simón Díaz – Canto de ordeño [Palacio]
3. Prisco Oropeza – Malagueña [Palacio]
4. Chelique Sarabia – El diablo suelto [Promus]
5. Freddy León y su Nueva Onda – Piano en nueva onda [León]
6. Hugo Blanco – Una noche en el llano [Palacio]
7. Grupo Almendra – Carapa [Best Record Italy]
8. Sietecuero – Chanchullo [Velvet]
9. Grupo Madera – Ritual [Top Hits]
10. Family Atlantica – El negrero (Slave Ship) [Soundway]
11. Un Dos Tres y Fuera – San Juan, Tambor y Fuera [Discomoda]
12. Aditus – Estrellas [WEA]
13. Ofrenda & Vytas Brenner – 6 por Electron / Jayeche [Discomoda]
14. Field recording – Arreando ganado (Canción de trabajo) [Laffer]
15. Musikautomatika – Untitled A [Wah Wah Records]
16. Chelique Sarabia – Orinoco río abajo [Sidor]
17. Pablo Schneider – Amor en llamas [Soul Jazz Records]
18. Aldemaro Romero – De Prisa [Numero Uno]
19. Los Cuñaos – Barlovento / San Juan To’ Lo Tiene [CBS]
20. Aldemaro Romero y su Orquesta de Salón – El regional [Cymbal]
21. Vytas Brenner – Tormenta de Barlovento [ViNiLLiSiMO]
22. Un Solo Pueblo – Gaitas De Tambora: Francisca – El Tigre [Promus]
23. Field recording – Tambor Melembe [Oswaldo Lares]