American Hardcore, 1978-1990, celebrates the searing US suburban punk scene writ large by bands like Black Flag, Bad Brains and Dead Kennedys, and the accompanying aesthetic carved out by artists including Raymond Pettibon. Limited to only 300 copies worldwide, this 112-page publication showcases the 50 iconic hardcore sleeves exhibited in the show, and includes a fold out print and 7″ vinyl pressing of an interview with Black Flag. The exhibition takes place at The Vinyl Factory Chelsea from 11 April to 6 May 2013. Entry is free.
* 200 x 250mm publication with outer dust jacket
* Exclusive 7″ vinyl pressing of Black Flag interview from 1981
* Also includes a fold-out print showing the collection of 50 7” American Hardcore singles
* Features extended Q&A with author and UK punk collector Toby Mott and US punk collector and curator Bryan Ray Turcotte
* Hand-signed and numbered
* Limited to 300
* Published by The Vinyl Factory
* Printed by Ditto Press using a Risograph machine
The Vinyl Factory and The Mott Collection hosted the exhibition, ‘American Hardcore, 1978-1990.’ in 2013. The show brought together 50 American Hardcore records spanning the apex of the genre from the late 70s up to the 90s, and took place at The Vinyl Factory Chelsea from 11 April to 4 May 2013.
The collection showcased inside this limited edition book highlights the subtle shifts and changes, and finally the overall unification of what began as a disparate musical style that developed into a rigid set of fixed codes, sounds, and political beliefs. The book also comes with the exclusive Black Flag interview and a over-sized print of the full collection.
From the raw stripped down sounds of Black Flag to the spasmodic reggae influenced Bad Brains, Hardcore emerged as a puritanical suburban rely to the decadence of big city Punk Rock outfits such as the Ramones or the New York Dolls.Popping up in small West Coast communities like Hermosa Beach, Oxnard and San Pedro and simultaneously in East Coast cities such as Washington DC and Boston the Hardcore movement was obsessively local, yet at the same time extremely far reaching due to the punishing tour schedules bands would put themselves through.
|Dimensions||20 × 20 × 1 cm|
The Vinyl Factory / The Mott Collection / Ditto Press